The Pokémon Company has released the “What’s Your Favorite?” video commemorating the 30th anniversary of the Pokémon franchise during Super Bowl LX. The video features a mix of live-action and CG footage with celebrity stars like Lady Gaga, Trevor Noah, Charles Leclerc, Jisoo, Maitreyi Ramakrishnan, Lamine Yamal, and Young Miko each championing their favorite Pokémon.
Check out the full 30th anniversary video for Pokémon below, which celebrates the franchise’s history to date, below:
What’s more, Niantic and The Pokémon Company are celebrating the release of the new video with a special campaign and feature for the 10th anniversary of Pokémon GO. The “What’s Your Favorite?” in-app camera feature is now available, allowing players to pose with favorite Pokémon and decorate their photos with stickers and frames.
New Trainers that have never made a Pokémon GO account and try “What’s Your Favorite?” in-app camera feature will receive a Special Research mission resulting in an encounter with Gengar, 100 PokéCoins, and 30 Poké Balls. Existing Trainers will be able to earn 10,000 Stardust, 5 Rare Candy, and 1 Lucky Egg, so everyone can benefit from using the new feature.
The latest entry in the Pokémon franchise, Pokémon Legends Z-A, is available now on both the Nintendo Switch and Nintendo Switch 2. Its DLC, the “Mega Dimension” is also available on the aforementioned platforms.
The staff of the Hana-Kimianime has revealed three new cast members and a new key visual for the anime’s February 8-due episode. The new cast members include:
YOASOBI performs the opening theme song “Adrena” and ending theme song “Baby.”
The Japanese cast of the Hana-Kimi anime includes:
Aya Yamane as Mizuki Ashiya
Taku Yashiro as Izumi Sano
Kikunosuke Toya as Shuichi Nakatsu
Yūichirō Umehara as Minami Nanba
Jun Fukuyama as Hokuto Umeda
Reiji Kawashima as Senri Nakao
Kōki Uchiyama as Daiki Kayashima
Wataru Komada as Kyogo Sekime
Anan Furuya as Shinji Noe
Kōtarō Nishiyama as Wataru Nihonbashi
Yūko Natsuyoshi as Julia M. (Maxwell)
Satoshi Hino as Makoto Kagurazaka
The English dub cast includes:
Katelyn Barr as Mizuki
Wyatt Baker as Sano
Dallas Reid as Nakatsu
Joshua Waters as Nanba
Reagan Murdock as Umeda
Jaclyn Thomas as Julia
William Ofoegbu as Juso
Ethan Condon as Kayashima
Adam Elliott as Kunijima
Justin Briner as Nakao
Tyson Rinehart as Nihonbashi
Ben Stegmair as Noe
Tom Henry as Sekime
Josh Bangle as Baseball Guy
Landon McDonald as Basketball Guy
Doug Jackson as Janitor
Christopher Guerrero as Track Captain
Stephen Sanders as Rugby Guy
Aaron Dismuke as Tennis Guy
The English dub crew includes:
Voice Director: Jad Saxton
Producer: Susie Nixon
Adaptation: Heather Walker
Mixer: Gino Palencia
Engineer: Tina Son
Hisaya Nakajo published the Hana-Kimi manga in Hakusensha’s Hana to Yume magazine from 1996 to 2004. A total of 23 volumes were released in Japan, with VIZ Media releasing the English edition of the manga. Nakajo passed away at the age of 50 in October 2023, and her legacy continues with the new anime series.
Japanese-American track-and-field star Mizuki has gotten herself to transfer to a high school in Japan…but not just any school! To be close to her idol, high jumper Izumi Sano, she’s going to an all-guys’ high school…and disguising herself as a boy! But as fate would have it, they’re more than classmates…they’re roommates! Now, Mizuki must keep her secret in the classroom, the locker room, and her own bedroom. And her classmates–and the school nurse–must cope with a new transfer student who may make them question their own orientation…
The official website for the TV anime adaptation of Q Hayashida’s Dorohedoro manga series confirmed an April 1 premiere for Dorohedoro Season 2. Dorohedoro Season 2 will “stream almost simultaneously worldwide on April 1 at 11:00 p.m. JST / 10:00 a.m. EST.
Yuichiro Hayashi is returning to direct the new season at MAPPA, and Tomohiro Kishi is returning as the character designer. Miho Sugiura is the art director, and Itsuku Onishi is the color key artist. Dorohedoro Season 2 was previously planned to premiere in 2025.
Hayashi directed the first anime season at MAPPA. Hiroshi Seko was in charge of the series scripts, and Kishi designed the characters. [K]NoW_NAME composed the music. The first season of Dorohedoro is streaming right now on Netflix with 12 episodes.
VIZ Media publishes the manga series in English. Here’s a synopsis of the first volume, via VIZ Media:
In a city so dismal it’s known only as “the Hole,” a clan of Sorcerers have been plucking people off the streets to use as guinea pigs for atrocious “experiments” in the black arts. In a dark alley, Nikaido found Caiman, a man with a reptile head and a bad case of amnesia. To undo the spell, they’re hunting and killing the Sorcerers in the Hole, hoping that eventually they’ll kill the right one. But when En, the head Sorcerer, gets word of a lizard-man slaughtering his people, he sends a crew of “cleaners” into the Hole, igniting a war between two worlds.
Kadokawa has announced the first film in the new Made in Abyss anime trilogy, Made in Abyss: Mezameru Shinpi (Made in Abyss: Awakening Mystery), will open in fall 2026 in Japan. A new trailer was revealed, along with more staff members.
Masayuki Kojima is returning to direct the new Made in Abyss anime at the studio Kinema Citrus. What’s more, Hideyuki Kurata is in charge of series composition, and Kazuchika Kise and Yuka Kuroda are returning as character designers.
The newly announced cast members include:
Design Leader: Takeshi Takakura
Art Directors: Osamu Masuyama, Teru Sekiguchi, Asaki Nakamura (Inspired)
Color Key Artist: Miyao Yamashita
Compositing Director of Photography: Tsunetaka Ema (T2 Studio)
In January 2023, Kadokawa announced that a third season of the Made in Abyss anime series was in the works, continuing from where the second season, Made in Abyss: The Golden City of the Scorching Sun, left off. Moreover, Made in Abyss Season 3 will likely feature the Capital of the Unreturned and Curse Fleet arcs.
Made in Abyss: The Golden City of the Scorching Sun premiered in July 2022. The anime aired weekly into September 2022, covering Riko and the crew’s journey in the sixth layer of the Abyss. HIDIVE currently streams the first two seasons of Made in Abyss in English, and the anime was previously streamed on Crunchyroll.
The staff for the upcoming anime adaptation of Kumako Hisama’s Ichijōma Mankitsu Gurashi! (Living Life to the Fullest in a Tiny One-Tatami-Mat-Sized Room) manga released a new teaser trailer ahead of its April release date.
The unveiled characters include Michika Narumi (a first-year student at a different high school from Meiko’s, who works at a cat café in the same building as Hedgehog), Majikarumomorin Gōda (an 18-year-old who ended up living at Hedgehog), Gao (a streamer running the GaoChube channel), and Beruna (Gao’s maid/secret spy).
Toshinori Watanabe, known for his work on Tokyo Ghoul:re, will direct the series at PRA. Fumiya Uehara will design the characters, Yayoi Tateishi will direct the music and MONACA will compose the music.
Kumako Hisama released the manga on Manga Time Kirara in December 2018, and its fourth compiled book volume shipped on July 26. Lastly, here’s an overview of the series via the official website:
The “somewhat sexy manga café comedy” follows Meiko Morita, who moves to Tokyo from the countryside to transfer into an elite girls’ academy. In exchange for “free tuition if she does volunteer work,” she begins living and working at Hedgehog, a manga café that also doubles as a girls’ dormitory. She meets idiosyncratic characters such as Rie Amamiya (a wealthy heiress who serves as Hedgehog’s dormitory keeper/café manager and who is into yuri and boys-love manga), Marika Suzuki (a popular streamer on “MuTube” under the name “Marica Belltree”), and Neo Nakano (a pro gamer who competes in world championships).
Entering a frozen metropolis, I became unsure of where to go next. I could see a potential path going upwards, but my current abilities appeared to make traversal impossible. However, with some precise execution, I was able to scale the wall much earlier than likely intended. MIO: Memories in Orbit is a game keen on rewarding the player with clever application of its mechanics.
Developed by Douze Dixièmes and published by Focus Entertainment, MIO looks to stand out among other metroidvanias with its exceptional presentation. However, whether it can compete with other juggernauts in the genre, such as Hollow Knight: Silksong, is another question altogether.
A Beautiful First Impression
Upon booting the game, players are greeted by minimalistic visuals and a soothing melody. The surrounding environment appears to be of a digital nature. This introduction may be cryptic, but the overall atmosphere is more relaxing than one might expect of a metroidvania.
Soon, the player finds themselves awakened in the actual game world, the Vessel, revealing MIO‘s breathtaking art style. The game is rendered in 3D, but manages to emulate a hand-drawn look with cross-hatched shading and a striking color palette. Visually, MIO is guaranteed to stand the test of time with its heavily stylized approach.
The player starts with a limited tool set, only having access to double jumps and attacks. Of course, these won’t be the only moves available throughout the entire game. Soon, the player will obtain the Hairpin, which acts as the game’s grappling hook of sorts.
Additionally, the Hairpin can be used as a dodge early on before obtaining an actual dodge ability later. Despite this, positioning will be key to surviving combat encounters throughout much of the earlier game. This is less difficult than it may sound, although the game finds ways to challenge the player.
A Sometimes Questionable Challenge
MIO: Memories in Orbit goes with peculiar design choices regarding its difficulty. I’m sure some of these quirks will be divisive among some players. It can be a challenging game at times, but not necessarily in ways I find particularly interesting.
Take games such as the classic Resident Evil titles, for example. Ink ribbons provide tension for the player, making the act of saving the game a strategic one. However, losing progress in those games always seems like a reasonable punishment and appears to be within the player’s control.
Outside of healing basins, checkpoints can be sparse, and the player isn’t even provided a map at the beginning of the game. This leads to a sometimes frustrating gameplay loop that can come across as overly punishing. Combining this with a rather slow movement speed, the pacing can be sluggish at times.
Of course, there is plenty of challenge to be found in the platforming and boss fights themselves. Players need to analyze attack animations, and some obstacles require razor-sharp precision. The platforming is perhaps where the game shines the most.
MIO is a Platforming Paradise
When MIO is firing on all cylinders, it earns its spot among the best metroidvanias. Platforming can be nail-bitingly tense, but it is always fair. Like a puzzle game, there are plenty of moments that can elicit an “aha!” out of the player.
The game’s movement mechanics are simple enough to understand, yet provide enough depth. Mastery of these mechanics should be within the grasp of most players, but it’s still satisfying. There is an undeniable state of flow to it all.
Using Hairpins, double jumps, strikes, and hovers to get through narrow corridors of death never gets old. Players need to anticipate the next input the moment before they execute the current one. Without this caution, health could be lost.
Combat and Progression
Combat is quite basic, but it’s not to the game’s detriment, mostly. The player can perform a 3-hit combo, which can also be used as a movement tech to extend jumps. Most enemies require several hits to take down, so it’s advisable to get in the full combo when possible.
Unfortunately, individual hits being weak can sometimes carry over to the bosses. Some of them are damage sponges with repetitive move sets. This doesn’t inherently make them terrible to fight against, but they certainly weren’t my favorite aspect of the game.
However, despite the combat’s simplicity, players can spice things up with Modifiers. These are found hidden throughout the map and take up space on an allocation matrix when used. Some are used for basic functions, such as seeing enemy health bars, but others have more specific use cases.
More health is gained through the collection of Coating Components. Every time the player picks up 4, health increases. That being said, it’s worth keeping in mind that health can be permanently lost.
MIO: Memories in Orbit is a Worthy Metroidvania
While I may not entirely agree with every design choice in MIO, it’s overall a great experience. With spectacular art direction, clever level design, and a beautiful soundtrack, it’s a game that gets far more right than it gets wrong. There is a great deal of passion on display here.
MIO charmed me with its atmosphere, platforming, and exploration, even if backtracking with the game’s movement speed could prove to be a little tedious. There are still plenty of rewarding moments regardless, so it balances out.
I’m not sure if I enjoyed this as much as 2024’s Nine Sols, which I also reviewed. However, if more titles of this quality are on the way, this title is a promising sign of things to come. 2026 has started with a bang.
MIO: Memories in Orbit is currently available for PlayStation 5, Xbox Series X|S, Switch, Switch 2, and PC via Steam.
Disclaimer: Focus Entertainment provided Final Weapon with a PC copy of MIO: Memories in Orbit for review purposes.
Koei Tecmo has released the Nioh 3 Original Soundtrack on major music streaming services, including Spotify, Apple Music, Amazon Music, and Line Music. The Nioh 3 Original Soundtrack contains 51 tracks.
Here’s the full track list for the Nioh 3 Original Soundtrack.
Opening
Freed From This Mortal Coil III
Takechiyo
Introduction
Spirit Tree
Edo
Kunimatsu I
Kunimatsu II
Eternal Rift
Crucinite
Warring States I
Masakage
Battle: Warring States
Lesser Crucible
Himiko I
Demon of Torment
The Crucible: Warring States
The Unfathomable
Warring States II
Battle I
Battle II
Battle III
Warring States: Futamata
Nobuharu
Shingen I
Warring States: Saigagake
Shingen II
Sorrow
Traveler of Light
Heian I
Great Tengu
Heian II
Battle: Heian
The Crucible: Heian
Yoritomo
Antiquity
Himiko II
The Crucible: Antiquity
Hiruko
Bakumatsu I
Shinsaku
Bakumatsu II
Battle: Bakumatsu
Bakumatsu III
The Crucible: Bakumatsu
Yoshinobu
Bravery
The Crucible: Edo
Death Veil
The Final Battle
Ending
Nioh 3 is available now for PlayStation 5 and PC via Steam. Final Weapon reviewed Nioh 3 and awarded it a 4/5 score, noting that the game offers some of the best action and boss fights in the Nioh series. A free demo is also available now, and the physical Nioh 3 Treasure Box Edition is available at the NIS America Store.
Fate/strange Fake light novel author Ryohgo Narita has announced that the series will be ending with the 10th and final volume this year. Before it reaches its ending, there will be more reprints of the Fate/strange Fake light novel series in Japan to catch fans up.
The anime’s opening theme song is “Provant” by SawanoHiroyuki[nZk], Jean-Ken Johnny (MAN WITH A MISSION), and TAKUMA (10-FEET). 13.3g performs the ending theme song “Unseen Ai.”
The anime’s Japanese cast includes:
Cast
Ayaka Sajyou: Kana Hanazawa
Saber: Yuki Ono
Tiné Chelc: Sumire Morohoshi
Archer: Tomokazu Seki
Lancer: Yu Kobayashi
Tsubaki Kuruoka: Aoi Koga
Orlando Reeve: Wataru Hatano
Caster: Showtaro Morikubo
Flat Escardos: Yoshitsugu Matsuoka
Berserker: Kenyu Horiuchi
Jester Karture: Tatsumaru Tachibana
Assassin: Lynn
Francesca Prelati: Maaya Uchida
Faldeus Dioland: Junya Enoki
Lord El-Melloi II: Daisuke Namikawa
Langal: Shunsuke Sakuya
Hansa Cervantes: Katsuyuki Konishi
Flat: Yoshitsugu Matsuoka
Sigma: Gakuto Kajiwara
Francesca Prelati: Maaya Uchida
Tsubaki Kuruoka: Aoi Koga
The anime’s staff includes:
Staff
Original Story: Ryohgo Narita, TYPE-MOON “Fate/strange Fake” (Dengeki Bunko)
Original Character Design: Shizuki Morii
Directors: Shun Enokido, Takahito Sakazume
Screenplay: Daisuke Ohigashi
Character Design & Chief Animation Director: Yukei Yamada
Art Director: Ayu Seiki
Color Setting: Takahiro Mogi
CG Director: Shinichi Miyakaze (GRAPHINICA)
Director of Photography: Yohei Miyawaki
Editing: Yuji Kondo (REAL-T)
Sound Director: Masaki Tsuchiya
Sound Effects: Yasumasa Koyama
Music: Hiroyuki Sawano
Animation Production: A-1 Pictures
The Fate/strange Fake Blu-ray Disc Box set will release on May 27 for 41,800 yen (tax included) in Japan. The set includes the Whispers of Dawn special and all 13 episodes of the weekly anime series, spanning across four Blu-ray discs and a bonus CD featuring outtakes, the original soundtrack, and much more.
What’s more, Fate/EXTRA Record, a remake of the original Fate/EXTRA, will launch in spring 2026 for Nintendo Switch, PlayStation 4, PlayStation 5, and PC via Steam. One of the key characters in this remake is Arcueid Brunestud, the main heroine of Tsukihime -A piece of blue glass moon-.
Alliance Arts and Unknown X have announced that Touhou Danmaku Kagura: Phantasia Lost Extra Song Pack Vol. 13 DLC is now available. Vol. 14 will follow up on April 15, and a discount will be available for Touhou Danmaku Kagura: Phantasia Lost Extra Song Pack Vol. 13 through February 21 at 7:00 a.m. PST on Steam (70% off) and Nintendo Switch (50% off).
Here are the track lists for Touhou Danmaku Kagura: Phantasia Lost Extra Song Pack Vol. 13 and 14:
Vol. 13
Tonight Stars an Easygoing Egoist (Live ver.) ~ Egoistic Flowers
wish
We Loved Gensokyo
night::escape(two);
Cirno’s Perfect Math Academy
Melody!
Perfect crime⑥⑥BANG!!
Sakkyunlight(2025)
Necro-Fantasia ~ Arr.Demetori
Sweet Requiem
OIIA CHEN HOUSE
KOUSOKU Merry-go-round
Dreaming to be Marisa!
Floating Darkness…
Shanghaihai
Vol. 14
The Princess Who Slays Dragon Kings (Original Touhou Song)
A Star of Hope Rises in the Blue Sky (Original Touhou Song)
Exclusive New Arrangements by Maron (IOSYS) feat. Kanamai
FÆTAL DRIVE
Hyper Burster
Waltz of Scarlet
EYE LOVE YOU, YOU LOVE ME?
Dynamite
AMANOJAKU REVERSE (feat. ytr)
Onnanoko dial
A Star of Hope Rises in the Blue Sky(uma vs. Morimori Atsushi Remix)
Ido no Mizu
Frost And Fire (Dankagu Edit)
Hanagensou (Dankagu Edit)
YORU NO KAZAGURUMA
To celebrate the game’s second anniversary, the INDIE Live Expo theme song “Independent Simulacrum” by ZUN and live arrangement of “Re:Unknown X (marasy with String Quartet)” are available now for free.
“Thank you for the long-lasting support to our passionate community and collaborators. We’ve had a blast since launching Touhou Danmaku Kagura Phantasia Lost two years ago,” said JYUNYA, leader of Unknown X. “To celebrate this occasion, we’ve added two free songs from Touhou creator ZUN and experienced composer marasy. We hope you enjoy them!”
Touhou Danmaku Kagura Phantasia Lost is available now on Nintendo Switch, PlayStation 4, and PC via Steam.
The official X (formerly Twitter) account for the live-action BLUELOCK film has announced the film’s August 7 opening. A new trailer and key visual for the upcoming film were also revealed.
The live-action BLUELOCK film adaptation is being produced by CREDEUS for a release in summer 2026 in Japan. TOHO is distributing the film. Further, BLUELOCK Season 3 is currently in the works as the anime adaptation of the manga’s “Neo Egoist League” arc.
The BLUELOCK -Episode Nagi-spinoff manga released in June 2022 and will finally be ending after three years, in August 2025. The BLUELOCK –Episode Nagi- spinoff anime film opened in April 2024, and the anime’s second adaptation, BLUE LOCK vs. U-20 JAPAN, premiered in October 2024. The anime adaptation of both the original series and the spinoff are streaming on Crunchyroll.
Kodansha began serializing Kaneshiro and Yūsuke Nomura’s BLUELOCK in August 2018. The manga is available to read on Kodansha’s website.
Lastly, here’s an overview of BLUELOCK via Crunchyroll:
Japan’s desire for World Cup glory leads the Japanese Football Association to launch a new rigorous training program to find the national team’s next striker. Three hundred high school players are pitted against each other for the position, but only one will come out on top. Who among them will be the striker to usher in a new era of Japanese soccer?